Jim Carrey puts so powerful energy and pure comedic brilliance into this movie that we hardly noticed how corny and hackneyed was the status or how wearily didactic was the upright lesson for all fathers who neglect their children for the goddess of success. And really we didn’t care. What we loved almost as distinguished as Carrey’s rubber mouth and oral blockage (like an overheated boiler fighting not to explode) was the premise: a lawyer that can’t lie. Now there’s an oxymoron! As Carrey tries to define to his son Max, lawyers need to lie. Actually he says grownups need to lie, which is a truth that we really do not need to exam too closely here. To laugh at something deeply troubling in our nature is a method of dealing with it.
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So the genius of this movie is first the talent of Jim Carrey, but second, for kids who reach to the realization of adult mendacity for the first time, it is the discovery of comedy as a plot to cope. Why do adults need to lie? is a seek information from that a kid can never figure out, and then by the time he is an adult himself (or actually a teenager), he can no longer comprehend how famous the seek information from once was. Call it innocence lost, or the socialization process.
My popular share of the movie is the courtroom scene with Jennifer Tilly dressed oh so sluttily and her adulterous beaux looking like a model for the hide of a romance unique and Carrey in tatters in his [expensive] suit. Second would be the bathroom scene in which Carrey tries to run himself apart (and seems to almost succeed) . His flapping mouth between the toilet seat and the bowl was inspired. Give some credit to director Tom Shadyac, who managed to steer the vehicle with Carrey at the controls, and to writers, Paul Guay and Stephen Mazur, who wrote some comic lines.
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The tremendous comedians totally let themselves go. They are totally on. They go to extremes and beyond. It’s like transcending not objective the ordinary, but even the imagined. Watch this obviously for Jim Carrey, one of the vast comedic talents of our time, an unusual who would have happy Charlie Chaplin with his astonishing muggings, his blatant audacity and his agreeable timing.
What happens when exiguous Max Reede (Justin Cooper) blows out the candles on his birthday cake and wishes his Dad couldn’t lie anymore? Fletcher (Jim Carrey) an unscrupulous lawyer (is there any other kind? ) happens to be Max’s father. When the birthday wish becomes reality things snappily initiate to plunge apart for awful Fletcher. After all, what first-rate is a lawyer who can’t lie? One thing is definite, Fletcher is about to ogle how mighty the truth can both harm and heal.
First let me say that I’m not generally a Jim Carrey fan. I salvage his films inane, vapid and predictable. That along with his excessively loud, over-the-town acting style absolutely drives me crazy. With that said, I must now confess that I’ve found one exception to that rule. That exception is the unrelentingly hilarious ‘Liar Liar.’
All the things that drive me insane about Jim Carrey somehow work wonderfully in this film. It also contains a cast of some of my favorites; Maura Tierney as Fletcher’s ex-wife Audrey and Cary Elwes as her novel like interest Jerry. I also have to mention the very sexy Krista Allen makes a brief but memorable appearance as the ‘girl in the elevator.’
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