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Stream The Wrong Man Online

brettchurch1978 — Wed, 10 Mar 2010 10:00:20 +0000

Stream The Wrong Man Online.

Movie Title: The Wrong Man
Average customer review:

The Wrong Man is available for streaming or downloading.

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Just rented it and had to eye it three times. An fantastic film! Where’s the DVD version! This simple grim legend a man wrongly imprisoned for robbery and the heart-breaking subsequent mental breakdown of his wife will haunt you. I would argue that this film demonstrates Hitchcock’s films in its purest accomplish. No bird attacks or shriveled corpses here but then some of us who fancy Hitchcock’s works own they are really in the extinguish about people and how they survive, or arrive to be trapped by, dire circumstances. View this movie along with “Vertigo,” “Psycho,” “The Birds,” and “Marnie.” Like “Psycho” and “The Birds,” we gape both physical and psychological imprisonment of the characters (or being caught in a kind of trap might be the relevant metaphor here) and like “Vertigo” and “Marnie,” we behold the overwhelming power of mental disturbance have on one’s ability to control one’s believe life. I have found that it always helps to compare Hitchcock’s films with each other as obvious themes seem to occur over and over again, almost as if Hitchcock had some compusive fixation on it.

I would contemplate this film a grand tragedy.

This is definitely not your typical Hitchcock. Based on a accurate life case of incorrect identity, we really notice the cinematic magic that happens when a spicy account is told by a director with uncanny instinct and depicted by actors with colossal scope and talent.

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Fonda unprejudiced blew me away with his portrayal of Manny Balestrero, a Current York City club musician wrongfully accused of armed robbery. His pithy and grounded performance really gave this film a realistic and poignant feel. You feel a sympathy towards his character as he is churned through the justice system, gutted out physically and emotionally, and ultimately ends up in jail.

Vera Miles’ portrayal of his wife Rose was a departure from what Hitchcock fans would seek information from…this is NOT the goody-goody gutsy sister of Janet Leigh in “Psycho”. Vera Miles performance is startling. We perceive her character tumble into mental instability as she places the blame of Manny’s incarceration on herself.

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The cinematography, of course, is favorable. Here is where Hitchcock makes his signature on an otherwise laid-out epic. The backdrop of NYC lends its enjoy gritty feel. All in all, this is a wonderfully rich film. It is an well-behaved dissimilarity to Hitchcock’s more sophisticated, glossy films like Vertigo and Rear Window, and the acting is simply edifying.

A must for any Hitchcock fan.
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Stream War Arrow Online

brettchurch1978 — Wed, 10 Mar 2010 05:29:24 +0000

Stream War Arrow Online.

Product: War Arrow
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War Arrow is one of those Westerns that has fallen through the cracks over time. One reason is that there were so many of them. Another reason is that its male star, Jeff Chandler, was unexcited in the early stages of superstardom before his untimely death in 1962. Another reason may be that War Arrow would never be considered one of the all-time broad Westerns.

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But War Arrow is also a very fun, animated Western with a colossal cast and great execution. Chandler plays a cavalry officer sent to an outpost surrounded by besieging Kiowa Indians. Joined by fellow soldiers Charles Drake and Noah Beery, Chandler immediately annoys the fort’s excellent officer (played by John McIntire with his usual solid but natural acting style) . Chandler accomplishes this by suggested that neighboring Seminole Indians would produce a perfect weapon against the warring Kiowas.

Chandler also immediately becomes smitten with O’Hara, a widow of a recently killed cavalry soldier. O’Hara veers wildly from being madly in adore with Chandler to being confused about being a widow in fancy so soon after her husband’s death.

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Chandler begins to say the Seminoles to fight, all the while realizing that McIntire is a rival for O’Hara’s affections. Meanwhile, the Kiowas are working toward an attack on the fort.

The set moves along crisply, with a number of nicely staged action pieces. Everyone does their job well and War Arrow is more than worth a Western-lover’s time.

While “B” westerns died out in the early 50s, with the rising popularity of television, Hollywood continued to fabricate dozens of “A” westerns with name stars and more adult situations. Some were lawful classics like “Shane” and “The Searchers”–some were honest “product”–something to maintain half of a double bill. “War Arrow” falls into the latter category.

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Jeff Chandler stars as a US cavalry officer who tries to employ a “gracious” Indian tribe–the Seminoles–against a “abominable” tribe of marauding Kiowas. Let’s not salvage into “political correctness”–the film is over 50 years faded. Not only does he have his hands rotund with these Native Americans, the commanding officer of the local fort, played by a gruff John McIntyre, resents his presence and “progressive” ideas. A radiant “widow”–Maureen O’Hara–is trapped at the fort, and she soon has Jeff practically drooling over her. Since John wants her too, the “rapport” between the two men plunges further downhill. The movie toddles along for about an hour, before a climactic attack on the fort by those heinous Kiowas–led by Jay Silverheels, taking a demolish from his “worthy guy” Tonto image!

Jeff Chandler, with his piercing eyes and prematurely grey hair, gives the film more dignity than it deserves. He was a grand actor, and his early death deprived the movies of a sparkling leading man. Maureen O’Hara has always been a elegant woman–that red hair, those flashing eyes, the fiery “Irish colleen” personality–yet, in this film, she seems to be going through the motions. Perhaps after “The Level-headed Man”, movies like this were not exactly engrossing for her. Silly relief is provided by Noah Beery as one of Mr. Chandler’s sidekicks–Charles Drake is the other. Suzan Ball sizzles as an “Indian maid”, while Henry Brandon is solid as her father, the Seminole chief–not the first or last time that Mr. Brandon would play a Native American. Another member of the tribe, with totally understandable “hots” for Ms. Ball, is played by Dennis Weaver–not too well–a apt thing that “Gunsmoke” was impartial around the corner! “B” western actor, Jim Bannon, is also featured–he may bill himself as “James” here, but his acting is as wooden and one-dimensional as ever.

The DVD exhibits a colourful, if slightly hazy, full-screen describe, and mono sound.

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I bought “War Arrow” because I like westerns, Jeff Chandler and Maureen O’Hara–but sometimes, even with a lot of superior ingredients, you can wind up with a second-rate stew! I would file this one under “disappointing”.
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Streaming Love Potion No. 9 Online

brettchurch1978 — Fri, 05 Mar 2010 06:46:44 +0000

Streaming Love Potion No. 9 Online.

Movie Title: Love Potion No. 9
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Love Potion No. 9 is available for streaming or downloading.

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Love Potion #9 – Really sweet movie. Tate Donovan is a desperate scientist who has an current encounter with a gypsy. He receives a adore potion that is guaranteed to change his life. He and a unsightly (if you can possess that!) colleague – Sandra Bullock – originate to breakdown and discover the potion. Of course to do that effectively, they have to try it themselves. The absolute best brush-off is in this movie, and unprejudiced thinking of it makes me smile. The memoir is charming and very spirited. This is a must peruse for the romantic comedy buff!

This movie is an absolute gem. Anyone is clear to drop in esteem with these two nerdy “unattractive” science geeks. Having practically nonexistant fancy lifes, these two nerds conduct an experiment with this “esteem potion no. 9″, and rep that it has phenomonal results. Of course, having these two nerds transform into fair people has nothing to do with their success.

Watching Bullock and Donovan in their nerdy attire is hilarious. This is an awesome feel generous comedy which will have you rooting for the suitable guy to earn the girl. This is a tall movie which you will not be disapointed with.
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Buy Night of the Living Dead DVD

brettchurch1978 — Wed, 03 Mar 2010 08:52:02 +0000

Buy Night of the Living Dead DVD.

Product: Night of the Living Dead
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The five star rating I gave Night of the Living Dull is, of course, for the modern, uncut, unadulterated edition. The novel is, quite simply, the most hideous movie I’ve ever seen, even when compared to fright classics like Diabolique (the recent French version), Psycho, Rosemary’s Baby, Halloween and The Intelligent. I saw NOTLD when I was 9 years former on Creature Features at midnight after a funeral. I had nightmares for the next two nights. The film mild gives me the chills whenever I perceive it (usually at Halloween) .

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When the 30th Anniversary Edition came out, I bought it on VHS as I was bewitching to eye what they termed as “unusual footage.” What I got was a despicable mess that butchered the novel film, removed the fresh music for a awful synthesizer accumulate and added pointless footage that makes the viewer want to grind his teeth down to the gums. One of the additions is a unusual character: a fire and brimstone preacher. While the acting in the recent is amateurish, at best, the “actor” who plays the preacher makes the fresh cast spy like Oscar winners by comparison. He snarls, and howls and gnashes his teeth like he has rabies. Even more ridiculous is the extra footage of Bill Hinzman — the “cemetary zombie” in the modern. The extra footage shows Hinzman’s character emerging from the grave, then cuts to the unusual 1968 opening footage with Judith O’Dea and Russell Streiner. It’s absolutely ridiculous as Hinzman looks 30 years older in the original footage. In addition, there are more zombies and a unique ending to the film that makes no sense whatsoever. This “unusual” version is a fragment of trash that desecrates the most ghastly film of all time. Avoid it like the plague!

ORIGINAL VERSION: *****

30 Anniversary version: No Stars

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This review pertains only to the Millennium Edition DVD of Night of the Living Tiresome.

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Okay…as I’d feared, my negative review of the John Russo-massacred “30th Anniversary Edition” of Night of the Living Listless has been lumped unwittingly into this product’s review, so I’ m writing this one to define.

This DVD edition is the best edition I’ve seen of the film yet. Anchor Bay may have raised the ires of legions of Living Dumb fans by releasing the sacrilegious 30th Anniversary Edition, but Elite Entertainment did moral by this modern edition.

George A. Romero’s personal appreciation appears in the serve of this DVD — this immediately restores our faith. And the contents don’t disappoint — the characterize and sound are excellent, and though this doesn’t exactly have the richest batch of bonus materials (sets like the superior 3-disc edition of Dario Argento’s Suspiria and the new double-disc Re-Animator both feature loads of extras), it is a nice solid collection. You win a Duane Jones interview (sadly with only audio and no image, but calm expansive) ; an on-camera chat between Judith Ridley (Judy) and Marilyn Eastman (Helen) ; the hilarious student-film spoof “Night of the Living Bread” by Kevin S. O’Brien (which also appeared in the double-cassette VHS edition) ; two commentary tracks with Romero, Russo, Russ Streiner, Eastman, Karl Hardman and others. One very illuminating share of this DVD for non-film-scholars is visually tedious but informative — several histories outlining the beginning of Romero’s Latent Image company, on Hardman and Eastman’s company, and how the two were married to build Night of the Living Monotonous.

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THIS is the honest edition of Night of the Living Dull, the one to obtain for both fans and non-fans alike. It includes all the primary people (search for that Russo, Streiner and Bill Hinzman were included in this release, despite their criminal participation in the 30th Anniversary Edition), and it presents the film the diagram it wants to be seen.
Now I’m waiting for a deluxe release of Dawn of the Dull and Day of the Listless…
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Stream Fury Movie Online

brettchurch1978 — Tue, 02 Mar 2010 02:40:17 +0000

Stream Fury Movie Online.

Movie Title: Fury
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Fury is available for streaming or downloading.

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For those of us who long for the DVD Collector’s Series of “Fury” (the anecdote of a horse and the boy who loved him), this dwelling will have to do for now.

All four episodes in this area are from the earliest shows of the series and the suitable news is that the pilot episode is up first (the other episodes are ‘the Stranger who claims to be Joey’s actual Father’, ‘the rabid dog bite’ episode and ‘the white mare and Joey’s jealousy’) .

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The artwork is honest to the series with the familiar shot of Bobby Diamond posing with “Fury” (from a later season of the exhibit) and this is a sweet runt collectible.

Unfortunately, this station appears to be an primitive video of an faded film transferred to DVD. Fortunately, for fans of the display, the quality is not unlike the television quality a child sitting down to leer reruns of “Fury” in the 1960’s would have seen.

I saw “Fury” reruns in the slow 1960’s and the early 1970’s on KTVI-TV, Channel 2, in St. Louis, Missouri at 7:15 a.m. weekdays where it ran for many years after “The Lone Ranger” at 6:45 a.m.

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This series originally ran five seasons on NBC (1955-60) and was so hugely favorite it ran another six years in reruns on NBC followed by years of syndicated reruns before it disappeared along with most other black-and-white rerun series during American television’s peculiar 1970’s obsession with all-color programming.

Bobby Diamond grounded the explain with his infectious like for “Fury” and was an apparently ample actor who worked well with potential exhibit rival kid characters “Pee Wee” and later “Packy” who no doubt came in as the series progressed to give very young viewers someone to record to as “Joey” traditional into adolescence.

The cast was uniformly reliable and the writing fun and always luscious.

The episode “The Tornado” (not on this spot) is downright racy and the same is lawful of many of the series highlights.

Unlike many TV shows for kids, “Fury” always seemed to avoid the traps of oddball camp, excessive sentiment, cartoon violence and, most valuable, avoided dull stories throughout the hasten.

“Fury” extolled masculine pursuits and male role models.

“Fury” himself was certainly symbolic of Joey’s inner healthy pride and strength as both “Fury” and Joey made a scuttle from lost orphans to positions of strength and happiness.

With the coming of DVD series collections, we can hope that “Fury” will one day be available on an extensive collection on DVD (it will no doubt be a substantial hit) .

The series grew up and developed through the rush and if anyone could inspect all of the episodes in succession, “Fury” would be assured legions of modern fans.

“Fury” could and should be remembered as one of the best and brightest American Television shows ever produced for children (and adults) .

First of all, “hats off” to Alpha Video for bringing this series to DVD. For most of us “baby boomers” who fondly remember “Fury”, this is like finding buried worship. I can only hope that the rest of the episodes will eventually be released. The video transfer is advantageous, considering this series will designate it’s 50th anniversary in October (2005) . There is a video “glitch” in the second episode and some lines in the fourth episode, but this could be an age factor, however it’s acceptable. Customary actor, Denver Pyle (“Dukes Of Hazzard”), appears in the second episode. In the fourth episode, Ken Osmond, (two years before he made Eddie Haskell a household name), makes one of his first appearances in front of the camera. For the label and memories..it’s a winner!..and you won’t have to go through the trauma of looking at an musty TV test pattern before it comes on,… like some of us did so long ago on Saturday mornings.
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Stream Justice League Unlimited – Season One Movie Online

brettchurch1978 — Fri, 26 Feb 2010 05:48:07 +0000

Stream Justice League Unlimited – Season One Movie Online.

Movie Title: Justice League Unlimited – Season One
Average customer review:

Justice League Unlimited – Season One is available for streaming or downloading.

Click Here to Stream or Download Justice League Unlimited – Season One

When the Cartoon Network picked up Seasons Three and Four of “Justice League” after Season Two finished, they did so with the conditions that 1) instead of two-part stories, they wanted half-hour, self-contained stories; and 2) they wanted a fresher version of the expose that clearly differentiated Season Three [and up] from Seasons One and Two. The producers obliged. The result was the re-titled “Justice League Unlimited.”

Buy,Download, Or Stream Justice League Unlimited – Season One! Click Here

The series creators’ mandate, according to producer/story editor Dwayne McDuffie, was simply to bid really wonderful stories with very microscopic groups of characters, combining some of the novel heroes with the unusual ones. These half-hour, power-packed stories (most notably, the Stan Berkowitz/Robert Goodman-penned “Shocked Symmetry”) ultimately snowballed into the highly-praised, two-season long “Cadmus arc” which involves a government conspiracy formed to combat the ever-increasingly grand Justice League. And don’t forget “Epilogue” featuring a startling Batman revelation.

Watching the unique founding members of the Justice League joined by an even greater collection of heroes including Supergirl, Green Arrow, Captain Atom, Booster Gold, Vigilante, and the Demand is objective fun unto itself. During a given episode, I’d be like Hey, Hawk & Dove! Hey, Booster Gold! Hey, The Seek Information From! Hey, Red Tornado! So, for me, section of the fun in having so many heroes available for JLU was seeing which hero (obscure or otherwise) would appear on the expose (whether on a mission or in the background) . A lot of the heroes would probably never secure their contain indicate, so JLU was a fun scheme of introducing these heroes in intelligent make.

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JLU also benefited from more contributions from notorious silly book creators. Not to mention even more inspired mutter casting including TV brothers Fred Savage and Jason Hervey (The Wonder Years) in reversed roles as brothers “Hawk (the aggressor) and Dove” (the pacifist), respectively; Dennis Farina (Crime Fable, Law & Order) as aging tough guy Wildcat in “The Cat and the Canary”; Tom Everett Scott (Saved) as gloryhound Booster Gold in “The Greatest Anecdote Never Told”; and CCH Pounder (ER, The Shield) as the utter of Amanda Waller; JLU’s modern opening rock theme was provided by Michael McCuistion.

Though the box shroud of this dwelling is titled “Justice League Unlimited – Season One,” this 4-disc Anamorphic Widescreen (1.78:1) spot actually contains both JLU Seasons One and Two (each 13 episodes) for a combined count of 26 episodes. No doubt Amazon and the previous reviewer will perform edits in their descriptions of this product given this revelation. Season One title aside, unbiased know that you’re getting two seasons worth of JLU episodes in one package! Special features include: “And Justice for all”: The process of revamping the series with unique characters and a current creative direction; “Themes of Justice”: Determine your common JLU musical theme audio tracks; Creators’ Commentary on “This Petite Piggy” and “The Return”.

JLU Season One:

1. Initiation

2. For the Man Who Has Everything

3. Kid Stuff

4. Hawk and Dove

5. This Puny Piggy

6. Tremulous Symmetry

7. The Greatest Narrative Never Told

8. The Return

9. Ultimatum

10.Shadowy Heart

11.Wake the Dead

12.The Once and Future Thing: Odd Western Tales

13.The Once and Future Thing: Time, Warped

JLU Season Two:

1. The Cat and the Canary

2. The Ties That Bind

3. The Doomsday Sanction

4. Task Force X

5. The Balance

6. Double Date

7. Clash

8. Hunter’s Moon

9. Interrogate Authority

10.Flashpoint

11.Dread in the Sky

12.Divided We Fall

13.Epilogue

Unlimited Heroes. Unlimited Justice. Unlimited Fun!

Highly Recommended!!

YES! I finally got my paws on this – JLU Season One! Don’t win me nasty, the first two seasons of Justice League were tall! Justice League, after all, was the logical next step in the progression and maturation of the DC intelligent universe, which began with the superbly gritty Batman: TAS, followed by the aesthetically cleaner looking Superman: TAS. But, as a lifelong fan of crossover comics, where heroes interact daily, I was happily insecure when they, in conclude, opened up the whole DC roster of heroes to the viewing audience. Justice League has always had sweeping, big-budget sensibilities and an escalated level of jeopardy. But with JLU, the scope expands even more and the stakes are raised even higher. Time move, technology hurry amok, magic of the highest order, clandestine government operations – these are all effectively explored in JLU.

Warner Brothers may designate it as the complete first season but this box residence actually includes JLU Seasons 1 and 2 (chronologically Justice League seasons 3 and 4, if you really wanna rep technical) . Following the harrowing closing events of Justice League Season Two, in which the team thwarts an alien invasion and suffers betrayal from a League member, the third season finds the League expanding its roster from the modern seven to over 50 costumed heroes, thus meriting the title change to Justice League Unlimited. These unusual episodes, while serene occasionally showcasing the core members, tend to focus more on the current recruits. Worthy rookies are Green Arrow, Captain Atom, the Seek Information From, Murky Canary, the Atom, Booster Gold, and Supergirl. JLU, unlike Justice League, features a continuing memoir arc which, in achieve, inundates the whole season. In JLU Season 1, the focusing element is more or less the shady, super-secret government agency Project Cadmus and its insiduous machinations and escalating hostilities against the League. Project Cadmus, which deals in genetic engineering, is the government’s first line of defense should the Justice League go rogue. Project Cadmus initially came into being after a brainwashed Superman attempted to invade Earth (Superman: TAS Volume 3, “Legacy”) . The incident with the Justice Lords (Justice League Season 2: “A Better World”) merely broadened the Project’s goals to include the League. This storyline carries over into the next season and isn’t actually resolved until the final episodes of JLU Season 2. These interlinked stories help to add improbable depth and a sense of continuity and drive to this racy series. All the episodes are presented in their widescreen cinematic-like glory. The theme music and opening and closing sequences have been altered, but not gratingly so.

All the episodes are satisfactory (excepting the merely decent “Hawk and Dove”) but my favorites of JLU Season One are: “Kid Stuff,” where we perceive further developments in the Batman-Wonder Woman romance and we also peep four of the new Justice Leaguers converted to kids (Batboy is a gas!) ; “This Cramped Piggy,” where Batman attempts to rescue the porcine Wonder Woman and, along the method, gets to inform “Am I Blue? ” in a nightclub; “The Greatest Account Never Told,” which is all about the glory hound Booster Gold and his sycophant robot sidekick Skeets; and the very cold “The Once and Future Thing” storyline, which has League members chasing Chronos and traveling help in time to the Archaic West and then to the future of the Batman Beyond universe. It was nice to notice obsolete friends Static and Terry McGinnis (Bats Beyond) again in the “The Once and Future Thing: Allotment 2.” Standout episodes of Season 2 are: “The Ties That Bind,” which casts Mr. Miracle in a starring role; “Task Force X,” where you objective have to root for the abominable guys; “Clash,” which pits the World’s Mightiest Mortal vs. the Man of Steel; and the 4 episodes (“Ask Authority,” “Flashpoint,” “Apprehension in the Sky,” and “Divided We Descend”) which accomplish the Project Cadmus arc.

The declare actors continue to lend gravitas to their tantalizing roles. The expansive Kevin Conroy is simply irreplaceable as Bats. Carl Lumbly contributes depth and weight and conveys a sense of unimagined solitude in his Martian Manhunter vocalizations, while Maria Canals ably portrays the feisty warrior-woman Shayera Hol (Hawkgirl) . Phil LaMar gives John Stewart (Green Lantern) a formidable military sensibility. I quiet miss Tim Daly as Superman, but George Newbern comes into his hold as the season progresses. Clancy Brown’s awesome recount is venerable to gargantuan achieve in his rendering of the wily, ever-scheming Lex Luthor. Kin Shriner, by the contrivance, voices the stubborn Green Arrow to contentious perfection.

Now, for having 2 seasons near in one packaging, this 4-dvd-set doesn’t really have a lot of extra features. Disc 1 has “And Justice for All” – a 9-minute survey at the revamping process of the series, as well as audio commentaries (by Bruce Timm & others) on 2 episodes: “This Small Piggy” and “The Return”. Disc 4 contains “Themes of Justice” – where you choose (yawn!) your well-liked JLU musical audio track – and trailers for other involving shows. And…that’s it! So, yeah, the lack of more extras is very disappointing.

********************************************************************

Justice League Unlimited Season One contains these episodes:

“Initiation” (episode 1) – Green Arrow takes center stage as he reluctantly becomes a member of JLI, joining forces with Green Lantern, Captain Atom and Supergirl as they wing to Asia to face off against a enormous nuclear creature. Green Arrow’s loose cannon persona amusingly clashes with Capt. Atom’s rigidness.

“For the Man Who Has Everything” (episode 2) – Batman and Wonder Woman tumble in on Superman for his birthday in the Fortress of Solitude, only to regain that Mongol has also crashed the party and has brought snacks for everyone – knuckle sandwiches.

“Kid Stuff” (episode 3) – Mordred magicks all adults off the planet, but his mother Morgan Le Fay enchants Batman, Superman, Wonder Woman, and Green Lantern into tots to combat him. A laughable, must-see episode.

“Hawk and Dove” (episode 4) – The focus is on the war-minded Hawk and his peace-loving brother Dove as they, with the abet of Wonder Woman, go up against the Annihilator, an invincible creature of war created by Ares in an attempt to originate WWIII.

“This Diminutive Piggy” (episode 5) – The enchantress Circe transforms Wonder Woman into a pig in this hilarious episode. Batman, with Zatanna, must rep a draw to change Wonder Woman serve.

“Afraid Symmetry” (episode 6) – Project Cadmus comes to the fore as Supergirl begins to delve into her disturbing dreams, with the succor of Green Arrow and the inquisitive Examine. Cameo appearance by Prof. Hamilton from the fascinating Superman series.

“The Greatest Narrative Never Told” (episode 7) – Booster Gold is shunted off to the side and relegated to crowd control as the gargantuan guns battle the considerable Mordru. However, Booster gets a shot at the huge time when he chances upon a sentient gloomy hole that threatens to swallow, well, unbiased about everything.

“The Return” (episode – The unstoppable superandroid Amazo (from Justice League Season 2: “Tabula Rasa”) returns from deep place and vengefully targets Lex Luthor, who has “turned over a original leaf.” The corpulent might of the JLU is station loose for the first time as the heroes attempt to nullify Amazo. Meanwhile, it’s up to Luthor and the Atom to near up with a weapon to attach the day.

“Ultimatum” (episode 9) – Maxwell Lord is the money man tedious the Ultimen, a supposedly altruistic band of superheroes, who wants to be the people’s choice of heroes. Of course, they waste up confronting the JLU. This is a tall nostalgia allotment for fans of the Superfriends exhibit, as the members of the Ultimen are based in gigantic fraction on old-school heroes such as Apache Chief, Samurai, Unlit Lightning, and the Wonder Twins. Also, Project Cadmus once again rears its monstrous head.

“Dusky Heart” (episode 10) – The JLU tries to enjoy off an invading nanotechnological alien creature, who is self-replicating and ever expanding. It’s up to the Atom again to breach the surface of the alien technology and cleave things down to size (sorry) .

“Wake the Dreary” (episode 11) – An out-of-control, muddle-headed Solomon Grundy is magically restored to life and begins to wreak havoc. Dr. Fate and Aquaman, among others, attempt to counter him, but it’s finally up to a grieving Shayera to effect a final ruin to Grundy. A bittersweet ending to this record.

“The Once and Future Thing, Piece 1: Exclusive Western Tales” (episode 12) – A rousing time depart two-parter. Green Lantern, Wonder Woman and Bats temporally scurry Chronos into the Customary West, where they hook up with DC western heroes such as Jonah Hex, Batlash and El Diablo. Then the Justice Leaguers, aloof tracking Chronos, fade to the future universe of Batman Beyond.

“The Once and Future Thing, Piece 2: Time, Warped” (episode 13) – Conclusion. In the Batman Beyond universe, the time-travelling Justice Leaguers partner up with the future Justice League to shut down Chronos. The future Justice League has on its roster Batman Beyond, Warhawk (Green Lantern and Shayera’s son), and a musty Static. The recent League also meets the future Bruce Wayne, very grand older and arthritic but level-headed very intense and in paunchy faculty.

Justice League Unlimited Season 2 contains the following episodes:

“The Cat and the Canary” (episode 1) – The Shaded Canary and Green Arrow try to encourage Canary’s mentor Wildcat, who’s indulging his midlife crisis by competing in Meta-Brawl, an underground super-powered fight club.

“The Ties That Bind” (episode 2) – This episode focuses on Jack Kirby’s Fourth World characters as only Flash is willing to lend an abet to escape-artist Mr. Miracle and Sizable Barda, who – in order to put Oberon from Granny Goodness – must infiltrate an escape-proof prison and release Kalibak from the clutches of Vermin Vunderbarr.

“The Doomsday Sanction” (episode 3) – As the JLU attempts a rescue mission of an island beleaguered by an active volcano and Batman looks into Project Cadmus, Superman tussles with an escaped Doomsday.

“Task Force X” (episode 4) – An undercover ops group, headed by Amanda Waller and consisting of costumed criminals Capt. Boomerang, Deadshot, the Clock King and Plastique, is given a mission to infiltrate the JLU satellite headquarters to grasp an artifact. Shades of the Suicide Squad! What a fun episode!

“The Balance” (episode 5) – When Wonder Woman tries to select Hawkgirl’s mace, she instead ends up partners with Shayera as they skim to Tartarus, where Felix Faust now reigns supreme.

“Double Date” (episode 6) – The Huntress and the Inquire target Steven Mandragora, a crime boss who the Huntress believes murdered her parents. Unfortunately, Mandragora is in protective custody and being watched over by Green Arrow and Shadowy Canary.

“Clash” (episode 7) – Very chilly episode, as Capt. Marvel (“Shazam!”) is the JLU’s newest recruit. But Marvel’s naive, optimistic outlook constantly irks a disenchanted Superman, and this eventually results in a brutal, drag-down battle royale between the Man of Steel and the Gigantic Red Cheese. Luthor co-stars as the main catalyst for Superman’s ire.

“Hunter’s Moon” (episode – Shayera is spotlighted as she, Vixen and Vigilante reply to a pain call from place and are accosted by revenge-minded Thanagarians. The tension between Shayera and Vixen (both of whom have an discover on John Stewart) is palpable. Nice to have Vigilante in a hefty role, for once.

“Demand Authority” (episode 9) – This is the episode that brings the Project Cadmus saga to a head. While nosing around Project Cadmus, the Put A Question To unearths an insidious situation that puts the JLU in jabber jeopardy.

“Flashpoint” (episode 10) – Luthor uses his control of Watchtower weaponry to frame the Justice League. Project Cadmus revives Galatea and the Ultimen and points them towards the League. Supes and Capt. Atom face off.

“Dismay in the Sky” (episode 11) – The Justice League founding members (but one) give themselves up to the authorities until the truth is uncovered about the firing of the Watchtower ion cannon. Meanwhile, Project Cadmus launches an all out attack on the beleaguered JLU. Meanwhile, Batman confronts Amanda Waller.

“Divided We Drop” (episode 12) – The current seven Justice League members battle the combined technological might of Lex Luthor/Brainiac. Flash takes the kid gloves off in this one.

“Epilogue” (episode 13) – In this season coda, the focus is strictly on Terry McGinnis (Batman Beyond), who questions his past, future and legacy as a crimefighter. Along the arrangement, he chances upon an ancient Amanda Waller, who gives him advice and tells him a previously undisclosed Batman epic.

Presented in awesome widescreen format, with a running time totalling at 595 minutes, and packaged in a double Amaray case, this 4 disc box station is not to be missed!

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45 Fantastic Fights Of The Century Streaming

brettchurch1978 — Wed, 24 Feb 2010 02:48:46 +0000

45 Fantastic Fights Of The Century Streaming.

Product: 45 Fantastic Fights Of The Century
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There’s impartial a wee bit of hyperbole in the title of this DVD. Some of the fights are not fabulous, and the documentary covers only the first half of the century. Except for very short bouts, only bits and pieces of fights are included. The early fights are from extinct films that are hard to stare and unrestored. Many of the tall faded championship fights are not there–such as Willard vs. Johnson. And of the more current bouts, there is none with Jake LaMotta and only a couple of pieces of Sugar Ray Robinson fights, none of the classic Robinson/Zale fights, Robinson/Basilio bouts.

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Perhaps the producers tried to pack 10 pounds of material in a 5-pound bag. They might have given us a two or more DVDs in the package with a wider selection of material, or chosen better and complete bouts for a one DVD package. There’s no Ali, no Sugar Ray Leonard, Larry Holmes, Mike Tyson, etc. The latest fights are from the 1950s, as far as I could study.

Still, this is better than nothing at all, if you are a boxing fan. The Louis/Schmeling fights alone are worth the sign.

With a prior view that 45 Extraordinary FIGHTS OF THE CENTURY was only samples of boxing matches, I went ahead and ordered it.

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This is an utterly disappointing DVD that TANGO ought to withdraw from the market.

There’s NO literature and NO playlist anywhere to be found, and NO wonder– some featured bouts are the equivalent of “Schmenk vs. Smegma.”

One “fight” is only a title card, then the losing boxer already on the canvas! (oy)

Dubbing quality is THE WORST (the WORST, Jerry!) . Many chapters are so blurry the viewer thinks his eyes have been dilated by an optometrist. A few fights consist of two indistinct ghosts dancing within the squared circle (usually the matches you wanted to observe, like Joe Louis’s) .

Lowest blow of all (a ‘cup shot’) : my darn disc freezes up on the Dempsey/Tunney fight (approx. chapter #31) and won’t play anything that comes after it!!!

Feh! Feh! Can you say: “crapola”?

Thou hast been forewarned. (…and there’s the bell for the 16th round…)
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Streaming In Search of History – Lost City of the Incas Online

brettchurch1978 — Mon, 22 Feb 2010 18:20:47 +0000

Streaming In Search of History – Lost City of the Incas Online.

Movie Title: In Search of History – Lost City of the Incas
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In Search of History – Lost City of the Incas is available for streaming or downloading.

Click Here to Stream or Download In Search of History – Lost City of the Incas

I’ve visited Machu Picchu, and I converse I was looking to re-live some gratified vacation memories, but I found the footage a bit disappointing. Basically, we have one angle looking down on the city, but no reverse angle to spy where the camera person stood, and these views are equally fine. There was no mention of the Gateway to the Sun, nor the inch leading to it from the city. I realize there were time constraints, but I would have preferred seeing this as opposed to time spent on Cusco (or Cuzco depending on your nationality) .

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That being said, I deem they did a fine job of touching on Inca history. Not enough information to do a paper on their civilization, but to the average viewer, enough insight to introduce an often glossed over culture.

Certainly worth the time to gaze it, but if you’re looking for a comprehensive search for on either Machu Picchu or the Inca, this isn’t it.

This info. is honest your basic info. regarding early Incas. It discusses their building techniques and defensive arrive. It later talks about show day Incas.
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Stream The Great American Broadcast Online

brettchurch1978 — Fri, 19 Feb 2010 15:56:57 +0000

Stream The Great American Broadcast Online.

Movie Title: The Great American Broadcast
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The Great American Broadcast is available for streaming or downloading.

Click Here to Stream or Download The Great American Broadcast

“The Gigantic American Broadcast” (20th Century Fox, 1941)

This frothy, energetic comedy is a loose-with-the-facts fictionalization of how radio became the broad medium of the early 20th Century. Robust, good-natured John Payne (sort of the Brendan Fraser of his time) and humorous sidekick Jack Oakie meet up around 1920 as two down-and-out World War One vets who section an interest in the then-new radio technology. Payne’s character reach up with the notion that maybe they could exhaust this newfangled radio stuff to bring entertainment to people all across the country… and then they’re off! Of course, there’s gotta be a girl, too and enter the ever-blonde girl next door, Alice Faye, as the gal they both appreciate. But it ain’t a care for triangle — nope! — it’s a square, because rich-cad tycoon Cesar Romero wants her too. This is a pleasantly fast-paced, lighthearted film, packed with better-than-usual performances from Ms. Faye (she and Payne duet quite nicely together) . There are also mammoth cameos from the Ink Spots vocal group, a wonderful (but all-too-brief) dance number from the Nicolas Brothers, and a nice, dewy-eyed version of how radio came to America. It’s a fun used film… they really don’t effect ‘em like this anymore! (Joe Sixpack, Slipcue film reviews)

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In 1941, Alice Faye was at the peak of her success. Her films were usually made to a very successful formula whereby she suffered at the hands of an insensitive leading man – singing through tears. This film adheres rigidly to the cliches, combining scenes from “Alexander’s Ragtime Band” and “Tin Pan Alley”, site to the advent of radio. The merits of the film are obvious:

- Alice herself, shiny, humorous, energetic and very pretty

- A captivating Jack Oakie on board for some hokey comedy

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- John Payne, more appealing than usual and with a sincere rapport with Faye

- first rate direction from Archie Mayo, a more dynamic director than the usual 20th Century Fox house directors. The film moves along with such race that the cliches can almost be ignored

- an generous Harry Warren glean, particularly the haunting “Where you Are” which Alice sings in loving discontinuance up with the Ink Spots harmonising in the background

- outstanding supporting acts including the devastating dancing Nicholas Brothers and the witty and clever Wiere Brothers.

The production values are first rate with that gargantuan Fox sound and photography. As a history lesson, the script contains its fraction of inaccuracies and Faye’s clothes are 1941 unusual even though the film starts 20 years earlier but that was all portion of the escapism.

The print has been restored and is in tall condition. A very racy documentary is included. It ensures that the new audience understand exactly how significant radio was at the time and why the historical aspects of the film resonated with many members of the audience in 1941. The modern trailer is included and the usual stills and advertising material.

Dont miss this forgotten musical, far more fun than many considerable more pretentious and better known offerings. Alice Faye’s qualities of warmth and naturalness are being rediscovered as well as that shapely utter and this film is a estimable contributor to her re-birth. The DVD is satisfactory value as section of the Faye Collection Volume 2.
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Lowest Price on TCM Greatest Classic Films Collection: Romantic Comedies

brettchurch1978 — Wed, 17 Feb 2010 14:01:13 +0000

Lowest Price on TCM Greatest Classic Films Collection: Romantic Comedies.

Product: TCM Greatest Classic Films Collection: Romantic Comedies
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This is one of 27 sets of four movie packs that Warner Home Video plans to release in the next few years. Their purpose is to introduce classic film to people previously unaware of these films via very affordable bare bones versions of these movies. This area has four very satisfactory films, all featuring Katharine Hepburn.

Woman of the Year (1941) – The film that introduced Katharine Hepburn and Spencer Tracy and sparked a long relationship both on and offscreen. Here Hepburn plays an early feminist who goes around collecting causes. Spencer Tracy is the sportswriter that loves her. They marry, but things go downhill hasty since Kate is really already married to her causes.

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Adam’s Rib (1951) – Ten years have passed and Hepburn and Tracy have mature a bit, but the spark and the chemistry is collected there. This time the pair are married lawyers. He is a prosecutor and she a defense attorney. Problems arise when Hepburn defends a woman who shot her husband when she caught him cheating on her and Tracy is the prosecuting attorney in the same case.

Bringing Up Baby (1938) – One of the unusual screwball comedies. Stars Cary Grant as an anthropologist who gets mixed up with a very dizzy young woman played by Hepburn. The area involves a tame leopard – Baby – and a dinosaur bone buried by a dog – the trusty whereabouts are unknown.

Buy,Download, Or Stream TCM Greatest Classic Films Collection: Romantic Comedies! Click Here

The Philadelphia Tale (1940) – Reteams Katharine Hepburn and Cary Grant as a divorced pair of socialites. Hepburn’s character is about to marry a man of the people who pulled himself up by his bootstraps, and also happens to be one of the most annoying people who has ever lived. James Stewart oddly won a Best Actor award for what is essentially a supporting role. It is especially peculiar when you mediate about all of the other colossal performances in which he was the undisputed lead and he wasn’t even nominated.

The only drawback to this spot is that – if you want all the extras – you might want to reflect Classic Comedies Collection (Bringing Up Baby / The Philadelphia Legend Two-Disc Special Edition / Dinner at Eight / Libeled Lady / Stage Door / To Be or Not to Be) in the case of Bringing Up Baby and The Philadelphia Epic. Hepburn and Tracy fans might want to deem The Hepburn & Tracy Signature Collection (Woman of the Year / Pat and Mike / Adam’s Rib / The Spencer Tracy Legacy) . However, both of these sets are considerably more expensive than this basic four-pack, and vulgar cost is really the point of this status in the first location.

TCM (Turner Classic Movies) could not have chosen four better examples of classic golden-era romantic comedies, and it’s no coincidence that Katharine Hepburn stars in all four. At the same time, it makes you wonder why they simply didn’t call this DVD site the Katharine Hepburn Romantic Comedy Collection. After all, there’s an equally reasonable case to include classics from the likes of Carole Lombard, Irene Dunne or Rosalind Russell. To allow for the bargain sign offered, the four films are presented on two double-sided discs. The print conditions are gratefully natty for the most piece.

Director Howard Hawks, a master of this genre as well as many others, guided 1938’s Bringing Up Baby (*****) and catches Hepburn and Cary Grant at their zenith in buoyant droll energy and youthful vigor. Amazingly, this wacky 1938 screwball classic was her first staunch foray into farcical comedy, and she makes her exasperating character Susan Vance the definitive madcap heiress. Cross-pollinating the pratfall wackiness of Lucille Ball with the Fifth Avenue glamour of Carole Lombard, Hepburn filters it all through her braying, haughty Recent England manner. Grant is her perfect match as David Huxley, the befuddled, bespectacled paleontologist, who aptly describes his inadvertent relationship with Susan as “a series of misadventures from beginning to extinguish”. Together, they support up with the breathless accelerate Hawks sets with a hair-brained area fascinating an elusive research grant, a pet leopard that can only be soothed by one song (“I Can’t Give You Anything But Worship, Baby”), a naughty dog with a yen for a missing intercostal clavicle (i.e., a dinosaur bone) and a gallery of amusing character actors who build the mistake of trying to fabricate sense of all the shenanigans. The extinct supporting cast is incomparably stellar, in particular, May Robson as no-nonsense Aunt Elizabeth, Charlie Ruggles as the likeably pompous Major Horace Applegate and Walter Catlett as the perennially confused Constable Slocum. With the crack timing of the comedy, the movie is filled with improbable perceive gags, and the arresting script (written by Dudley Nichols and Hagar Wilde) has an abundance of clever lines and witty asides. Director Peter Bogdanovich, who paid tribute to this film with his partial remake, What’s Up, Doc?, provides insightful commentary on an alternate track.

Hepburn was born to play imperious Main Line socialite Tracy Lord in 1940’s The Philadelphia Account (*****) . On the eve of her second marriage, Tracy is surrounded by three men who lay claim to her. With whom she ends up is no surprise, but the run there contains all the biting wit and human insight that one could hope for in what is essentially a drawing room comedy. As Tracy’s ex-husband, the pretentiously named C.K. Dexter Haven, Grant plays the most grounded character in the fable, a romantic in cynic’s clothing, watching others come by caught in the awe of commitment and a gauzy haze of indecision. As the third point, a young and refreshingly cynical James Stewart portrays Macauley “Mike” Connor, a tabloid reporter covering Tracy’s nuptials. Connor turns out to be a talented author, which Tracy finds immediately delicate. What is so refreshing about this triangle is that it never reduces itself to some gallant duel to obtain the damsel. In fact, both men have understandable reservations about Tracy’s high-and-mighty stance and her inability to tolerate others’ weaknesses. Further complications ensue with Mike’s unspoken relationship with Liz Imbrie, his smart-mouthed photographer sidekick who of course, pines for him. As you can imagine, it all ties up beautifully, and all these complications near through with a colossal deal of humanity thanks to the astounding, sometimes surprisingly edgy dialogue in Philip Barry’s new play and Donald Ogden Stewart’s conceal adaptation. It is pretty to say that the rest of the cast is pretty but overshadowed by the three gracious and fully embodied leads. A major fraction of the credit for this first-class production needs to go to worthy filmmaker George Cukor, who is completely in his element here guiding his players to their peak. There is an informative albeit rather keen commentary by film historian and critic Jeannine Basinger.

Having already established the headstrong aspect of her camouflage persona, Hepburn added a worldly intellect and beguiling sexual ardor in her portrayal of multilingual political journalist Tess Harding in 1942’s Woman of the Year (****) directed by George Stevens. In her first teaming with lifelong off-screen partner Spencer Tracy, she sets off palpable sparks with the normally taciturn actor, who plays sportswriter Sam Craig working at the same newspaper. Written by Ring Lardner Jr. and Michael Kanin, the space is about the characters’ whirlwind courtship from an immediate sexual attraction to an impulsive marriage, all the while struggling with each other’s priorities. Needless to say, given that it’s a product of its era, it becomes a matter of time before Tess bends to Sam’s will but not until some involving observations are made about sex roles in a basically fractious relationship. However, rather than the amusing fireworks generated by their later collaborations, this film treads in unexpectedly sentimental melodrama, especially in the episodes where Tess has to let go of a Greek orphan she wants to adopt and in the climactic scene when she tearfully recognizes her wifely responsibilities as her aunt Ellen marries her father. Smooth, the pair’s familiar bantering occurs when Sam explains the rules of baseball to Tess and in the final feminist reversal as she fails miserably in her attempt at domesticity. Intriguingly, for a Tracy-Hepburn vehicle, it feels remarkable more like her movie than his, and consequently their rapport is not quite up to their normal standard here.

Seven years into their cloak partnership, Tracy and Hepburn made what is arguably their best disaster together, 1949’s Adam’s Rib (*****), the sixth of nine movies they made together. The zingy repartee and old-shoe comfort in their relationship are in chunky bloom here as directed by Cukor. Written by the legendary husband and wife writing team of Garson Kanin and Ruth Gordon, the region focuses on a headline-grabbing court case gripping Doris Attinger, a dim-witted wife who shoots her philandering husband Warren unbiased as he is caught with his blowsy mistress Beryl Caighn. Representing the wounded husband is Assistant DA Adam Bonner who is looking for a mercurial conviction of the wife. However, his proto-feminist attorney wife Amanda sees the alleged crime as an act of justifiable defiance and decides to defend the wife. This potentially tense set-up leads to a trial where Amanda sets out to explain that a double standard exists for women and that Doris was merely defending her family and home. Adam, however, believes that the law is the law no matter the gender of those alive to and that a kill was indeed attempted. Consequently, the record is not so noteworthy about Adam’s inherent sexism as it is about Amanda’s single-minded determination to expose her point even as the case degrades into a media sideshow. Hepburn plays such a convincing litigator that her case actually sounds persuasive at times, and Tracy brings his modern combination of sympathy and combustible bluster to a man who respects his wife deeply but becomes increasingly disillusioned with her unlawful stance. As Doris, Judy Holliday delivers in her first necessary hide role, bringing a deeper pathos to the scorned wife than you would quiz. Tom Ewell plays Warren for the smarmy, sexist cheater that he is, while Jean Hagen expertly plays Beryl as a media-hungry floozy. As the Bonners’ next door neighbor Kip, David Wayne acts rather fey for someone who supposedly wants to accelerate away with Amanda, but I sigh the reach was intentional to ensure nothing would really threaten the Bonner marriage except the case. However dated some of the sexual politics feel, the film is mild one of the most smartly played of romantic comedies.
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